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Impact of the safety measures on our programme (update 13.1.2022)
Read moreThe measures imposed by the federal government on cultural activities affect many La Monnaie performances. An overview.
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La Monnaie supports Orange the World
Read moreOn November 25, to mark the International Day for the Elimination of Violence against Women, La Monnaie supported the Orange the World awareness campaign by lighting up its façade.
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‘A Christmas Journey’, new CD released by La Monnaie’s Children’s and Youth Choir
Read moreLa Monnaie’s Children’s and Youth Choir has recorded a CD of popular and traditional Christmas songs for the festive period. The new album is now available from Cypres.
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Richard Powers presents his new novel at La Monnaie
Read moreOn Monday 8 November at 8 pm, we welcome the celebrated American author and the source of inspiration for The Time of Our Singing in our Main Auditorium.
MMM Online
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OperaSo much more than “Casta Diva”
Sesto Quatrini recommends 5 other key numbers of 'Norma'
Heard in movies as diverse as The Iron Lady, 2046 and Avengers: Age of Ultron, "Casta Diva" is one of the most famous arias (more precisely, a cavatina) in operatic history. But there is much more to Norma than this piece alone. The Italian conductor Sesto Quatrini explores five other unforgettable extracts.
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ConcertAugust De Boeck
A Portrait
A Brueghelian Brabantine or a cosmopolitan who personally knew Rimsky-Korsakov and James Ensor? A 'provincial musician' or an international composer who indulged in jazz and Poulenc, and whose operas were performed several times at La Monnaie? Learn all about the exceptional composer of the Nocturne.
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OperaBarbara Hannigan
Back to 'Lulu' (part II)
One week to go, and with the arrival of the orchestra, the team behind Lulu shifts into top gear. What does the full orchestra pit change for our leading soprano? And how does she prepare for the final sprint after a marathon of five intense weeks of rehearsals?
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OperaReviving Lulu
A ‘how to’ guide
Bringing a production back to life in an opera house, nine years after its first performance, is only possible through a whole series of small steps, all lined up like dominoes. Stretching from the last closing night to the upcoming opening night, they involve every single part of the show, and therefore every department that worked on the original production.
