Musical Director Alain Altinoglu on his first encounter with Richard Wagner’s Tristan und Isolde, and the major music-historical influence of this four-hour tour de force.
Richard Wagner’s Tristan und Isolde poses a major challenge to every opera director. To turn the unendliche stream of monologues and dialogues in this masterpiece into enduring images, La Monnaie brought together two complementary visual artists. The German film director Ralf Pleger is well-acquainted with the Wagnerian universe: his documentary on the life and work of this composer won him the Public Award on the 2013 World Film Festival of Montréal. For this new production, he joins hands with the German sculptor Alexander Polzin, who previously at La Monnaie created the impressive stage design for our 2017 production of Aida. In this video portrait, both artists contemplate their approach to Wagner’s timeless hymn to love and death.
Let our head of Dramaturgy Reinder Pols guide you on the metaphysical trip that is ‘Tristan and Isolde’. An unforgettable homage to the mythic power of love, coming to La Monnaie on May 2.
One week to go, and with the arrival of the orchestra, the team behind Lulu shifts into top gear. What does the full orchestra pit change for our leading soprano? And how does she prepare for the final sprint after a marathon of five intense weeks of rehearsals?
Bringing a production back to life in an opera house, nine years after its first performance, is only possible through a whole series of small steps, all lined up like dominoes. Stretching from the last closing night to the upcoming opening night, they involve every single part of the show, and therefore every department that worked on the original production.