It can be quite challenging to get hold of a conductor in the final stretch before an opera premiere, let alone when he’s conducting three productions at the same time. We did however manage to talk to Antonello Manacorda, who will guide our orchestra through the Trilogia Mozart Da Ponte, about the musical genius from Salzburg.
Nothing escapes her eagle eye. She is the puppet master in control of every situation. Mozart depicts Susanna – a female servant – as the most quick-witted character in Le nozze di Figaro. She’s been through enough to comprehend the true intentions of Il Conte di Almaviva. Now all she needs to do is get the Contessa onboard the #metoo-movement.
Trilogia Mozart Da Ponte is set in Brussels in the year 2020. The French creative arts company Clarac-Deloeuil > le lab is using Mozart to kick the ‘here and now’ into overdrive by making maximum use of video technology. In parallel to rehearsals for the three operas, the company also mobilized a full film crew and, with all the singers from the cast in tow, made its way to twenty-three surprising locations in Brussels. We went along to the set to talk to le lab directors Olivier Deloeuil and Jean-Philippe Clarac.
Whatever politicians may be claiming, nobody is better suited to embody “the voice of the people” than our Choir. From partying peasants to wide-awake soldiers, from experienced sailors to loyal servants: no challenge too great for our choristers. In the Trilogia Mozart Da Ponte, for once, they can just be themselves: Brusseleirs in this present day and age. In a two-part documentary we follow them in their preparations for our Mozartian triptych.
“Each time I finish working on a Wagner opera, my first question is: ‘when can I start again?’” Our Music Director Alain Altinoglu has been entranced by the Meister von Bayreuth for several years. This time, he is getting ready to work on the composer’s final and most enigmatic opera. The musical mystery play Parsifal was the opera debut for Romeo Castellucci. Ten years later he is confronting his own electrifying production.