An impressive spectrum of emotional registers, coloraturas at breakneck speed and a stratospherically high F. Mozart really did go all out for the Queen of the Night’s entrance in Die Zauberflöte. Her grand aria ‘O zittre nicht, mein lieber Sohn” is a technical challenge unlike any other. In our 2018 production, Soprano Sabine Devieilhe gave everyone goosebumps with this soul-wrenching mother’s lament. She will soon take the stage at La Monnaie again for a recital dedicated to French mélodies.
Twelve dancers, backlit in an orange hue reminiscent of a glowing cinders, succumb to one of the monuments of American minimal music. An uninterrupted dance that is seamlessly passed on, body to body, its rousing pulse almost trance-like. Drumming, based on the eponymous composition by Steve Reich, is without a doubt a key work in the Rosas repertoire. In this interview, Anne Teresa De Keersmaeker herself explains how she tackled the choreography.
The coronavirus may have prematurely ended our symphonic season, but that couldn’t stop Alain Altinoglu from serving you musical bliss one final time. Our Music Director brought together 54 musicians from 13 opera houses around the world for a digital closing concert with the renowned “Coro a bocca chiusa” from Puccini’s Madama Butterfly. An international collaboration in which musicians that were forced to remain quiet, can have their voices heard after all.
Oh how we looked forward to her role debut as Countess in our production of Pikovaya Dama! A couple of months after she was forced to cease rehearsals in Brussels, Anne Sofie von Otter found a way to sing for the La Monnaie audience after all. Enjoy this performance of the folk tune “Vindarna sucka uti skogarna” from her own backyard, and let the Swedish opera royalty drift you into the summer holidays.
The Covid pandemic was a major blow to our current cultural year, with many of our productions having to be postponed to a later season. The artists who were meant to perform at La Monnaie did not forget our audience, though. Canadian mezzo Michèle Losier, who was set to perform the role of Octavian, here performs the very first sung words from Der Rosenkavalier by Richard Strauss, as well as the Prière by Charles Gounod.