In between rehearsals for our belcanto double bill The Queen and her Favourite and The King and his Favourite, conductor Francesco Lanzillotta took the time to discuss at length, with passion and a touch of humor the music of Rossini and Donizetti, two composers close to his heart. A conversation about the importance of the connection between text and music, about high notes, about dying on stage…
While rehearsing for our double concert dedicated to the best moments of Rossini’s Elisabetta, regina d’Inghilterra and Donizetti’s La favorita, Italian primo tenore Enea Scala took a moment to give us his vision of bel canto.
On the occasion of his upcoming recital, we asked tenor Julian Prégardien to answer the following questionnaire honestly and succinctly.
Despite the second wave of coronavirus infections and the corresponding tightening of sanitary measures, our teams have kept up the hard work behind the scenes in recent weeks to ensure a return to the Theatre in optimal conditions. General director - Intendant Peter de Caluwe guides you through our renewed programming for the second half of the season.
Even during a pseudo-lockdown and in the wake of a whole series of cancellations, the upholsterers, carpenters, sculptors, painters, and other artists in our Workshops remain undaunted. And that tenacity is really needed – for, paradoxical as it might seem, there have never been so many productions on the stocks at the same time. Right now, work is going ahead – COVID-securely – on scenery for no fewer than seven operas.