LA MONNAIE / DE MUNT

“Nimm sie hin denn, diese Lieder”. The British tenor Mark Padmore opens the recital season at La Monnaie on September 24^th. Accompanied by pianist Simon Lepper, he will perform Robert Schumann’s ‘Kerner Lieder’ and Ludwig van Beethoven’s intimate cycle ‘An die ferne Geliebte’. Of all Beethoven’s works, it is his large-scale pieces for orchestra which tend to steal the limelight, but Mark Padmore shows how Beethoven was also a trailblazer in the Lied genre.

Creator of shows that, by their visual power, fascinate as much as they question, Romeo Castellucci is much in the public eye. At the beginning of the 2018-2019 season, he revisits for la Monnaie the famous opera ‘Die Zauberflöte’ by Wolfgang Amadeus Mozart. The playwright Piersandra Di Matteo, one of his close collaborators, depicts the artist in the following portrait.

Having directed the successful Foxie! (The Cunning Little Vixen), the Belgian designer, artist and theatre director Christophe Coppens has taken on a second opera. Béla Bartók’s two most important works for the stage, Bluebeard’s Castle and The Miraculous Mandarin, take us into two totally different worlds. After a mysterious universe full of symbolism in Bluebeard’s Castle awaits the expressionism and even violence of The Miraculous Mandarin. Director Christophe Coppens talks to dramaturg Reinder Pols.

During the Háry János concert, La Monnaie Children’s and Youth Choir will perform Bartók’s Seven Choruses for Children. A conversation with Benoît Giaux, chorus master of the Youth Choir and artistic director of our MM Academy.

Director Olivier Py in an interview with Reinder Pols about the opera Lohengrin.

‘There is truth, my friend. But the doctrine you desire, absolute, perfect dogma that alone provides wisdom, does not exist. Nor should you long for a perfect doctrine. Rather, you should long for the perfection of yourself. The deity is within you, not in ideas and books. Truth is lived, not taught.’

— Hermann Hesse, The Glass Bead Game