The ‘mad day’ of the wedding of Susanna and Figaro, Countess and Count Almaviva’s maid and valet. The count will do anything to seduce Susanna and possess her before she gets married, but his plans are thwarted by his valet and by the adolescent Cherubino, who flits around the women. In the end, Susanna and the Countess untangle this web of romantic intrigue and contrive a cunning challenge to male domination.
This production is the first chapter of our Trilogia Mozart Da Ponte.
La Monnaie takes up the challenge to stage the three operas by Wolfgang Amadeus Mozart and the librettist Lorenzo Da Ponte together in the form of a trilogy. While each of these masterpieces can be viewed independently of the others, the directors Clarac-Delœuil > le lab and conductor Antonello Manacorda have reimagined them jointly as one single work. A human comedy in three parts, presenting a large number of interlinked characters and plots.
BEN GLASSBERG (MAR 5)
Directors and costumesJEAN-PHILIPPE CLARAC & OLIVIER DELOEUIL (CLARAC-DELOEUIL > LE LAB)
Set designRICK MARTIN
Artistic collaboratorLODIE KARDOUSS
Chorus MasterALBERTO MORO
Il Conte di AlmavivaBJÖRN BÜRGER
La Contessa di AlmavivaSIMONA ŠATUROVÁ
Don Basilio & Don CurzioYVES SAELENS
BarbarinaCATERINA DI TONNO
ProductionLA MONNAIE | DE MUNT
Co-productionTEATRO MASSIMO DI PALERMO